{"version":"1.0","provider_name":"La Dante - Comit\u00e9 de Paris","provider_url":"https:\/\/ladante.fr\/paris","author_name":"Mirko Venturi","author_url":"https:\/\/ladante.fr\/paris\/author\/mirko\/","title":"FLORENCE. PORTRAITS \u00c0 LA COUR DES M\u00c9DICIS - La Dante - Comit\u00e9 de Paris","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"NJYkAzDkvL\"><a href=\"https:\/\/ladante.fr\/paris\/florence-portraits-a-la-cour-des-medicis\/\">FLORENCE. PORTRAITS \u00c0 LA COUR DES M\u00c9DICIS<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/ladante.fr\/paris\/florence-portraits-a-la-cour-des-medicis\/embed\/#?secret=NJYkAzDkvL\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0FLORENCE. PORTRAITS \u00c0 LA COUR DES M\u00c9DICIS\u00a0\u00bb &#8212; La Dante - Comit\u00e9 de Paris\" data-secret=\"NJYkAzDkvL\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/*! This file is auto-generated *\/\n!function(c,d){\"use strict\";var e=!1,o=!1;if(d.querySelector)if(c.addEventListener)e=!0;if(c.wp=c.wp||{},c.wp.receiveEmbedMessage);else if(c.wp.receiveEmbedMessage=function(e){var t=e.data;if(!t);else if(!(t.secret||t.message||t.value));else if(\/[^a-zA-Z0-9]\/.test(t.secret));else{for(var r,s,a,i=d.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),n=d.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),o=new RegExp(\"^https?:$\",\"i\"),l=0;l<n.length;l++)n[l].style.display=\"none\";for(l=0;l<i.length;l++)if(r=i[l],e.source!==r.contentWindow);else{if(r.removeAttribute(\"style\"),\"height\"===t.message){if(1e3<(s=parseInt(t.value,10)))s=1e3;else if(~~s<200)s=200;r.height=s}if(\"link\"===t.message)if(s=d.createElement(\"a\"),a=d.createElement(\"a\"),s.href=r.getAttribute(\"src\"),a.href=t.value,!o.test(a.protocol));else if(a.host===s.host)if(d.activeElement===r)c.top.location.href=t.value}}},e)c.addEventListener(\"message\",c.wp.receiveEmbedMessage,!1),d.addEventListener(\"DOMContentLoaded\",t,!1),c.addEventListener(\"load\",t,!1);function t(){if(o);else{o=!0;for(var e,t,r,s=-1!==navigator.appVersion.indexOf(\"MSIE 10\"),a=!!navigator.userAgent.match(\/Trident.*rv:11\\.\/),i=d.querySelectorAll(\"iframe.wp-embedded-content\"),n=0;n<i.length;n++){if(!(r=(t=i[n]).getAttribute(\"data-secret\")))r=Math.random().toString(36).substr(2,10),t.src+=\"#?secret=\"+r,t.setAttribute(\"data-secret\",r);if(s||a)(e=t.cloneNode(!0)).removeAttribute(\"security\"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:\"ready\",secret:r},\"*\")}}}}(window,document);\n<\/script>\n","description":"FLORENCE. PORTRAITS \u00c0 LA COUR DES M\u00c9DICIS Bronzino, Salviati, Pontormo par Cristina Oliosi, guide conf\u00e9renci\u00e8re de La Dante de Paris Au XVIe si\u00e8cle, l\u2019art du portrait devient de plus en plus r\u00e9pandu parmi les \u00e9lites florentines qui trouvent l\u00e0 un moyen de porter les traits de leur visage et leur statut social \u00e0 la post\u00e9rit\u00e9. [&hellip;]","thumbnail_url":"http:\/\/ladante.fr\/wp-content\/uploads\/2018\/01\/expo-florence.png"}